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Takashi Murakami 村上隆 (1962, Japan)

1962 Born in Tokyo

1986 BFA, Japanese Painting Course, Faculty of Fine Arts, Tokyo National University of Fine Arts and Music

1988 MFA, Graduate School of Fine Arts, Tokyo National University of Fine Arts and Music

1993 Ph.D., Graduate School of Fine Arts, Tokyo National University of Fine Arts and Music [Dissertation : The meaning of the nonsense of the meaning]

1995 Asian Cultural Fellowship, P.S 1 International Studio Program in New York , U.S.A.

1998 Visiting Professor, School of the Art and Architecture at the UCLA, Los Angeles , U.S.A.

Lives and Works in Asaka, Saitama and Brooklyn , New York . Organizing a group of young artists, "HIROPON FACTORY," and producing an exhibition.

SOLO EXHIBITIONS
2009

"Murakami ©", Museum Fë Moderne Kunst Frankfurt am Main , Allemagne (1 Octobre - 31 Décembre)

"Murakami ©", The Guggenheim Museum , Bilbao , Espagne (1er Février - 30 Juin)

2008

"Murakami ©", Brooklyn Museum , New York , USA

2007

"Murakami © ", MOCA, Los Angeles , USA

"Tranquility of the Heart Torment of the Flesh - Open Wide the Eye of the Heart, and Nothing is Invisible", Gagosian Gallery , New York .

2006
"The Pressure Point of Painting", Galerie Emmanuel Perrotin, Paris , France
2005

"Opening of Gallery Extension", Galerie Emmanuel Perrotin, Paris , France

"Little Boy: The Arts of Japan 's Exploding Pop Culture", Japan Society , New York , USA

"Outdoor Banner Installation", Public Art Fund, New York , USA

2004

"Funny Cuts", Stuttgart Museum of Art, Stuttgart , Allemagne

"Takashi Murakami: Inochi", Blum & Poe Gallery, Los Angeles, USA

2001

Takashi Murakami Solo Exhibition: Summon monsters open the door heal or die :, Museum of Contemporary Art , Tokyo , Tokyo . 8.25-11.4.

Takashi Murakami: Made In Japan , Museum of Fine Arts , Boston , Boston , U.S.A. 4.15-9.3

Takashi Murakami: Mushroom, Marianne Boesky Gallery , New York , U.S.A. 3.17-4.14

Takashi Murakami: WINK: An Installation of New York by Takashi Murakami , Grand Central Terminal Vanderbilt Hall , New York , U.S.A. 3.14-4.13

Takashi Murakami: KAI KAI KI KI , Galerie Emmanuel Perrotin, Paris , France 1.13-3.3

GROUP EXHIBITIONS
2007

"Red Hot: Contemporary Asian Art Rising", Museum of Fine Arts , Houston , Texas , USA

"Comic Abstraction", Museum of Modern Art , New York , USA

"Jellyfish Eyes", Museum of Contemporary Art, Chicago , Illinois , USA

"My 2007", Colette, Paris , France

2006

"Where are we going" Selection from the François Pinault Collection, Palazzo Grassi, Venice , Italy

"Infinite Painting", Contemporary Painting and Global Realism", Villa Manin Centro d'Arte Contemporanea, Codroipo , Italy

" Agnes Hotel Art Fair", Tokyo , Japan

"Fairy Tales Forever", ARoS Aarhus Kunstmuseum, Aarhus , Denmark

"Dragon Veines", University of South Florida Contemporary Art Museum , Tampa

"POPulence", Southeastern Center for Contemporary Art, Winston-Salem , North Carolina , USA

10th Anniversary Collection, Tomio Koyama Gallery, Tokyo , Japon

"Spank the Monkey", Baltic Centre for Contemporary Art, Gateshead , Uk

Selections from the logan Collection, Denver Art Museum, Denver, CO, USA

"Off the Shelf: News Forms in Contemporary Artists' Books, Vassar College print and Drawings Galleries: The Frances Lehman Loeb Art Center

"Get Ready, Land of the Rising Sun! Contemporary Japanese Art from Taikan Yokoyama to the Present", Osaka City Museum of Modern Art

Mass Production: Artists' Multiples and Marketplace, The university of Akron , Myers School of Art, Akron , OH

"Limited/Unlimited", 34 Long Fine Arts, Cape Town , South Africa

2005

"Kaikai Kiki exhibition", Aoi Gallery, Osaka , Japan

T1 - Turin Triennial", Fondazione Sandretto Re Rebaudengo, Turin, Italy

" Japan Pop", Helsinki Museum of Art , Helsinki , Finland

"Post and After", Brandeis University Rose Museum , Boston , MA , USA

"POPulance", Cleveland Museum of Contemporary Art, Cleveland , USA

"Translation", Palais de Tokyo, Paris , France

"Ecstasy : In and About Altered States", Museum of Contemporary Art, Los Angeles

2004

"Optimo: Manifestations of Optimism in Contemporary Art", Marfa , Texas , USA

"Monument to now", Deste Foundation, Athènes, Grèce

Biennale de Liverpool, Tate Liverpool, Grande-Bretagne

" Walker without walls, Walker Art Center , Minneapolis , USA

Inochi, Blum & Poe, Los Angeles , USA

GEISAI 5, Big Site, Pacifico Yokohama, Yokohama

Tokyo Girls Bravo, Marianne Boesky Gallery , New York

2003

GEISAI Museum , Roppongi Hills, Tokyo

GEISAI 4, Big Site, Tokyo

GEISAI 3,Pacifico Yokohama, Yokohama

Marianne Boesky Gallery , New York

Super Flat Monoglam, Louis Vuitton, Tokyo

2002

Takashi Murakami Kaikaikiki, Kawaii! Vacances d'ete, Fondation Cartier pour l'Art Contemporain, Paris , France.7.27-10.27. Serpentine Gallery, London , UK . Novemver-January.2003

Tokyo Girls Bravo 2 , Nadiff, Tokyo

Coloriage, Fondation Cartire popur l 'art contemporain, Paris

GEISAI 1, Tokyo Tower Amusement Hall, Tokyo.2002.3.16-17.

2001

Zombie Festival, The Museum of Contemporary Art, Tokyo . 2001.8.25.

2000

Second Misson Project Ko2 , P.S.1, New York , U.S.A.

KAI KAI KI KI: SUPER FLAT , ISSEY MIYAKE MEN, Tokyo , Japan1.28-2.13

SUPERFLAT , The MOCA Gallery, The Museum of Contemporary Art, Los Angeles , U.S.A.

2001.7.15-10.14[ Henry Art Gallery , Art Museum of the University of Washington , Seattle , U.S.A 2001.9-]

1999

Tokyo Girls Bravo, NADiff, Tokyo 5.28-6.28

Hiropon Show, Parco LOGOS Gallery, Tokyo 5.28-6.28

1998

Ero Pop Tokyo , George's, Los Angeles , U.S.A. 5.15-6.1

BIBLIOGRAPHY  
2006 "Takashi Murakami's World: Portraits," Dune, August 20, 2006, p. 3-7, 14-17
2005 Fitzpatrick, Michael. "The Otaku Design, Generation," Communication Arts, September 2005, pp. 76-83
"Earth By," Planet Magazine, Fall 2005, pp. 6, 80
Mori, Teruyo. "A Japanese Pop art show curated by Takashi Murakami," Spur, July 2005, p. 35
Ichikawa, Akiko. "Kawaii & otaku wa sekai wo sukuu? ('Cute and otaku will save the world?')," Harper's Bazaar Japan, July 2005, p. 32
Gardner, James. "Art Attack – Chinatsu Ban," New York Post, June 4, 2005, p. 29
Asano, Masahiko. "Otaku no teki: Murakami Takashi no meikaku naru henkō ('An enemy of otaku: The clear transformation of Takashi Murakami')," Bijutsu Techō, June 2005, pp. 104-109
"Otaku āto in NY ('otaku art in NY')," Marie Claire Japan, June 2005, p. 44
"NY de jōretsu kangei: Murakami Takashi Ritoru Bōi ('Heated welcome for Takashi Murakami's Little Boy in NY')," Shūkan Shinchō, May 19, 2005, p. 40
"Kiti = Nihon no poppu-karuchā 'kawaii' no toppu aikon('Kitty = Japan's cute pop culture's top icon')," Ichigo
Shinbun, May 10, 2005, p. 3
Herzog, Eve. "Hot Coffee-table Tomes," Harper's Bazaar, May, 2005, p. 139
"Art: Museums and Libraries," The New Yorker, April 25, 2005, p. 18
Tomii, Reiko. "Ritoru Bōi-ten: Murakami Takashi, isse-ichidai no yashinteki kikaku ('Little Boy Exhibit: Takashi Murakami, Ambitious Project of a Lifetime')," Shin Bijutsu Shinbun,
April 21, 2005, p. 2
"Nihon no poppukaruchā wo kenshō ('investigating Japanese popculture)," Senkyū Shinbun, April 19, 2005, p. 12
"Best Bets," AM New York, April 22, 2005, p. 30
Baker, R.C. "Da bomb! Japan's subcults point fingers while looking inwards," The Village Voice, April 20-26, 2005, p. C72
Tahaney, Ed. "Howdy Doody," Daily News 25 Hours, April 17, 2005, p. 17
"O-hana ni tacchi: otaku bunka to wa nanika ('A touch on the trunk: just what is otaku culture')?" Shūkan NY Seikatsu, April 16, 2005, p. 1
Smith, Roberta. "The Listings: Art," New York Times, April 15, 2005, p. E23
"Nihon no otaku bunka shōkai ('introducing Japanese otaku culture')," Shūkan NY Seikatsu, April 9, 2005, p. 2
Dollar, Steve. "Japan, The Monster of Pop," Newsday, April 8, 2005, p. B4
Smith, Roberta. "From a Mushroom Cloud, a Burst of Art Reflecting Japan," New York Times, April 8, 2005, p. E33
Vogel, Carol. "The Murakami Influence," New York Times, April 6, 2005, pp. E1, 7
Lubow, Arthur. "The Murakami Method," New York Times Magazine, April 3, 2005, p. 64
"Our Selection A-Z: New York," The Art Newspaper, April 2005, p. 2
Myers, Terry R. "Little Boy Boom," Modern Painters, April 2005, pp. 54-59
"Kyodai na zō no chōkoku ('Giant elephant sculptures')," Nikkei Shinbun, Feb 11, 2005, p. 14
Smith, Roberta. "Art in Review," New York Times, March 4, 2005, p. E37
Johnson, Ken. "The Listings." New York Times, March 11 & 18, 2005, pp. E26, 30
"Galleries--Chelsea: Chinatsu Ban." The New Yorker, March 21, 2005, p. 16
"Busy Intersection." Harpar's Bazaar, April 2005, p. 143
2004 Vogel, Carol. "Inside Art," New York Times, December 17, 2004, p. E40
Castroviejo, Julen Álvarez. "Poku: The Japanese Influence," LLAPIZ, June 2004, pp. 34-49
Smith, Roberta. "Tokyo Girls Bravo," New York Times, March 25, 2004, p. B33
CATALOGUES AND PUBLICATIONS
2005

Murakami, Takashi, ed. Little Boy: The Arts of Japan's Exploding Subculture. New York and New Haven
and London: Japan Society and Yale University Press, pp. 58-59, 250-251, 266-267.

Vartanian, Ivan. Drop Dead Cute. San Francisco and Tokyo: Chronicle Books, LLC and Goliga Books Inc, pp. 102-115, 2005

2002 Murakami, Takashi. Tokyo Girls Bravo. Asaka, Japan: Kaikai Kiki, 2002
 
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